英語(yǔ)寫(xiě)作萬(wàn)能模板匯總
A man's face is his autobiography. A woman's face is her work of fiction.
男人的面孔是他的自傳，女人的面容是她的幻想作品。
There is only one real tragedy in a woman's life. The fact that her past is always her lover, and her future invariably her husband.
女人的生活中只有一個(gè)真正的悲劇：她總在緬懷過(guò)去，卻必須活在未來(lái)。
We teach people how to remember, we never teach them how to grow.
我們教給人們?nèi)绾斡洃洠瑓s從來(lái)不教他們?nèi)绾纬砷L(zhǎng)。
Anybody can sympathise with the sufferings of a friend, but it requires a very fine nature to sympathise with a friend's success.
-The Soul of Man under Socialism (1881)
任何人都能對(duì)朋友的不幸感到同情，但要消受一個(gè)春風(fēng)得意的朋友，則需要非常優(yōu)良的天性。
-《社會(huì)主義下人的靈魂》
"If a woman can't make her mistakes charming, she is only a female."
-Lord Arthur Savile's Crime
如果一個(gè)女人不能讓她犯的錯(cuò)誤變得迷人，她就只是一個(gè)雌性動(dòng)物。
-《亞瑟·薩維爾勛爵的罪行》
"Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, andour Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast."
-Lord Arthur Savile's Crime
大多數(shù)男人和女人被強(qiáng)迫扮演他們沒(méi)有能力扮演的角色。我們的吉爾登斯吞為我們演哈姆雷特，而我們的哈姆雷特必須像霍爾王子一樣來(lái)說(shuō)笑。這個(gè)世界是個(gè)舞臺(tái)，但角色被分配得很糟糕。
--《亞瑟·薩維爾勛爵的罪行》
*注：吉爾登斯吞，霍爾王子均為莎士比亞作品中人物
A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal.
不夠真誠(chéng)是危險(xiǎn)的，太真誠(chéng)則絕對(duì)是致命的。
A man can't be too careful in the choice of his enemies.
一個(gè)人在選擇他的敵人時(shí)，再小心也不為過(guò)。
All women become like their mothers. That is their tragedy. No man does. That's his.
所有女人都會(huì)變得像她們的母親一樣，這是女人的悲劇。但沒(méi)有男人變得像他們的父親，這是男人的悲劇。
America is the only country that went from barbarism to decadence without civilization in between.
美國(guó)是唯一一個(gè)直接從野蠻進(jìn)入頹廢、中間沒(méi)有經(jīng)過(guò)文明階段的社會(huì)。
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